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Stephen J. Williams

Stephen J. Williams

writing + art

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Recent posts

  • Boy in my bubble (digital drawing, 8x10in, 2020) 17 September 2020
  • Words, perception, memory and poetry: John Jenkins reviews ‘Ashbery Mode’ edited by Michael Farrell, in Rochford Street Review 18 April 2020
  • To render to each his due 7 April 2020
  • Scientific progress you can make while you sleep … 20 March 2020
  • LOOKOUT 2 December 2019
  • Ideology of the horse 28 July 2019
  • I remember it was a rainy night 28 July 2019
  • Tennis is the saddest sport (a kinda portrait of Mr Hawkins) [20190707 drawing, 1000x1000mm] 27 July 2019
  • Exhibition of small works 21 June 2019
  • The quiet Australians 19 May 2019

Posts I Like

  • One hundred and eighty degree… on Rochford Street Review
  • Poetry Competitions, Submissio… on a dreaming skin
  • 'Listen, bitch': Melinda Smith… on Rochford Street Review
  • A shot in a pandemic arm: we'r… on Under the counter or a flutter in the dovecote
  • Rochford Street Review: Books… on Rochford Street Review
  • Fear Shoots: After the Fires on memengineering
  • Proust Progress Report 12: Beg… on Me fail? I fly!
  • KINDLING on Under the counter or a flutter in the dovecote
  • James Baldwin's Poems 'Untitle… on Brett Milam: Milam's Musings
  • Poetry Competitions, Submissio… on a dreaming skin
  • Bret Harte ~ The Right Eye of… on DM du Jour
  • Gateways to the Global Mind 3 on memengineering
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