Author: Stephen J. Williams

  • Our winter solstice

    grandad was dying

    and angry
    i walked with him
    between the trees
    plunging sad steel
    teeth into lifeless timber

    we sweated remorse
    for our labor
    hacking at a
    pale-skinned gum
    only to find the core
    green

    evening closed
    the farm gate
    chained us to
    the stump of
    our pernicious
    and untimely murder
    thrust angry words
    in our mouths
    and brought us home
    to a rain-washed roof
    thundering till shattering
    our obdurate despair

    so when light and warmth
    rested in the soil of our farm
    he did not die

    learning never
    to fell trees
    in the winter solstice.

  • Poems from psychoanalysis

    I could be bounded in a nutshell and count myself a king of infinite space, were it not that I have bad dreams.

    1  The Breach

    Hide and seek is the game
    we play, alternating
    parts, clinging to walls
    just beyond reach.
    Who can live with me?
    he says, mocking.
    Come out. Come out.
    Scar says hands on head,
    to your knees. Scar says
    shout, then says die.
    Scar gives the lie to
    harmless thoughts,
    then settles down
    in the dark house,
    corrupt little animal
    gnawing at the heart
    and baring teeth
    that cut up memory.
    Sleeping and dreaming
    he’s more alive,
    feeds on each hurting
    image, gorged and lying
    safe beyond the breach.

    2  Self and Space

    Science probes the atom
    revealing matter
    mostly emptiness.

    Congregations of memory
    clutter darkness
    at the heart of things.

    Going deeper you and I
    search the self and fall
    through infinite space.

    3  The Lesson of Eumenides

    Client

    “My father’s mother
    loved her child’s only son
    demonstrated the fact
    holding the grandson’s head
    against her wrinkled
    milkless breast.

    “My father’s father
    loved his child’s only son
    demonstrated the fact
    when he died bequeathing
    fifty cent scraps
    of each fortnight’s pension
    to a trust of his grandson’s name.

    “My father’s parents
    neither loved each each other
    nor loved their son
    demonstrated the fact
    letting him grow fat
    on careless marriage,
    double portions, his and theirs.

    “My life repairs mistakes in others’ past
    blood fighting for the line’s success in life.
    It ends with me
    hate’s puzzle knotting all that should make sense
    and useless with anger.”

    Analyst

    Ghost and Furies inhabit the temple
    demanding justice
    for horrors beyond speech.

    Orestes, the son,
    runs a whole year
    body dispirited by effort and fear.

    I promise protection
    and equal judgment releases him.
    —Athena left to placate Furies’

    unearthly rage, revenge-hot blood:
    “My new city has difficult gods who
    strike its people down with no warning.

    “Will you be the city’s warders?
    turn your strength
    to good works?”

    They accept
    and in their dark world
    tie death’s agents down;

    while in Argos, safe
    and crowned with light,
    a murderer is king.

    4  Confessional

    Lonely are the gifts
    I took with me
    into this death
    like absurd too many chairs
    I can sit on only one of them
    at a time.

    I have drawers and chests
    hundreds of places
    to stow parts of myself away
    but you find them
    a pick in your hand
    and in my head
    the case opens.

    Your father angers you
    like a doctor
    I have books
    which I open sometimes
    and do not understand
    why the lock of my cell
    is so difficult to open.

    In the cell is a horrible creature
    with two heads
    both of them ugly
    both of them screaming.

    Your mother loves you
    like a priest
    I have words in my head
    I never use
    and places I
    have never seen
    gifts that were brought
    I want to refuse.

    Gifts of rope and knives
    dressed in striped boxes
    and coloured ribbons.

    They expect me to answer
    fulfil expectations
    they speak to me in a language
    I never learned
    they never taught me
    full of private symbols
    drawn on my forehead
    and on my back
    everywhere I cannot see.

    5  Egg

    Something about them
    is difficult to touch
    with their bloody insides
    awesome and fragile

    treat lovers delicately

    their skin is strong
    but thin
    as they move from room to room
    with their soft soft edges
    like shadows
    and internal affairs of eggs

    that at the slightest jolt
    display their dark insides
    rich with confusion

    6  The King of Hate

    Years the beast spends
    dining on his own flesh,
    inexhaustible passions
    coming from who knows where
    beyond the breach.
    My arms outstretched
    find a way through
    glowing darkness back
    to where the hate began
    a life of forgetting,
    bandaged head, a mask.
    Come in. Come in.
    He says, this dark house
    is larger than love,
    your heart unwired
    will warm to knowledge
    of superb pain,
    will grow to fill
    its infinite rooms.
    He crowns me king
    of beasts, winds me
    in red fields and war,
    promises all the void
    will sing my name;
    if only I would stay.

    ⬆︎

  • The poetry of Wallace Stevens

    for Joyce Lee

    A voice is a solid thing
    One hears as though it were built
    Entirely of air. It is substantial

    Yet it carves out song from nothing.
    A voice is a real thing
    We cannot move through, that lives

    Separately, and uniquely sings
    The air on which it moves.
    A voice reminds us of our distance.

    A bad voice is all voice.
    The good voice glows and lights
    The air on which it throws out song

    And bites. electrically, the space
    In which we stand to hear: it alone
    Is real, and clearly moves between us.

    The perfect voice is in the mind
    And never sings what can be heard;
    It has a life its own that brings

    The sounds the mind has learned
    To the moment of the keenest singing:
    Its song is pure imagining.

  • Mario Giacomelli’s Scanno

    It’s 1962. Signor Giacomelli goes out with his camera,
    His ‘avocation’. (Probably he had it with him by chance:
    Who would want to take pictures at this hour?)

    The sun half up, he uses flash, for contrast
    And to brighten faces, but it’s no good.
    Two noses and four down cast eyes only faintly appear.

    What the matter? Are the women crying?
    Has someone died? No. I think they’re always this unhappy.
    After early mass somewhere in the Abruzzi district,

    Traditional black coats eclipse the frame
    Then wander dimly off.
    You’ve probably not seen this photograph though

    It’s very famous. The title is either something innocent
    Or implies a sacrifice. And it’s strange
    That when you stare into the puzzle for a long time

    The little boy in long trousers
    With his hands in his pockets, hair neatly combed,
    And a face that shines specially,

    Head cocked slightly right on top a crisp, white shirt,
    Descends so nonchalantly on his own
    Light pathway into this misery.

    What is he
    Here for?
    What will he do?

    Mario Giacomelli's 'Scanno'.
    Mario Giacomelli’s ‘Scanno’ (1957).
  • The K-Tel instant love poem and cigarette machine

    You say you __________ me
    but your __________ smile
    says otherwise.
    And waiting like __________
    in the __________ ,
    photographs of our __________
    become obscene __________ ,
    that tug at my __________ ,
    and __________ and __________ ,
    when solitude draws
    lines clinical and pale
    as the __________ of a __________
    in the __________ .

    You pester me about
    the way I leave my poems
    __________ , so they are
    open to __________ .
    Like our __________ love,
    never __________ , always
    __________ , in the dark.
    When I __________ ,
    it feels like __________ .
    Do you remember us
    in Egypt, on the back
    of that camel?

  • Is sex important?

    it sometimes happens
    we’re discussing the new wave
    order of things
    in one of those great
    fashionable left-bank
    cafés, imported all the way
    from the paris end
    of collins street

    while reminiscing zürich
    the homes of modern masters
    the travels of ulysses
    and the thousand unrelated
    explosions at the end
    of world war one

    when james my friend
    orders a toasted roll
    in the hay, corned beef
    and a size 38D bust with
    tomato sauce, and i tell
    the waitress that a plain
    ham on rye with no pickle
    will do for me wonders

  • after Invocation

    we re off to see some movies/a double
    feature at the uni sex college of prolonged
    education/with its jeans jumpers t shirts
    medium length hair & macho moustaches/
    & there s this guy on the screen who s
    wrapping hashish in silver foil like
    cadbury chocolate/& smuggling it across
    the border until he gets caught because
    the authorities in turkey are really
    into catching chocolate smugglers/there s
    a moral here/& it s in the next movie/
    where rae desmond is the new jesus
    christ/grown 2000 yrs old of donkeys
    & philistines/steps off his fat 500cc
    BMW/& with all the christian love of
    a man about to prove a point/commences
    to bash the shit out of a bondi surfie/
    who said his pomes weren t punk enough!
    —pour it on rae/pour it on!