Drawings

Lookout [drawing, 20170715]

Communion [20171005 drawing, 1000x1000mm]

Prehistoric sculpture, Louvre [drawing, 2017]

The contest over neuroscience and culture [20180603 drawing, 1000x1000mm]

Nine positions [20180216 drawing (study), 1000x1000mm]

Errol says the problem is Justice [20180620 drawing, 1000x1000mm]

Cell [20171116 drawing, 50x50cm]

Viewing [drawing, 20170714]

Study of Hildebrand statue [20170805 drawing, 297x297mm]

Man from 1950s with broken piano [20180816 drawing, 297x297mm]

Installation of hand in a landscape [20170724 drawing, 210x297mm]

Memoir of my nervous illness [20170921 drawing, 1000x1000mm]

Stone inhumation [20170914 drawing, 1000x1000mm] The figure is a drawing of the Norwegian artist Christine Aspelund’s male nude ‘Lying low’, used as a model of European man laid to rest in the Australian landscape.

Consciousness theatre [drawing, 2017]

Study of the Borghese Ares [20180201 drawing, 297x297mm]

Fight in the dark room [drawing, 20170713]

Study Of Sculpture By Philippe Magnier, Musée du Louvre [20171207 drawing, 297x297mm]

Debate [20180725 drawing, 179x179mm]

Empty shirt [20180731 drawing, 1000x1000mm]

Sebastian Steensen [20171019 drawing, 210x297mm]

Ce n’est pas un paysage [20170907 drawing, 210x297mm]

Detail of decay [20171009 drawing, 1000x1000mm]

Landscaper [20170906 drawing, 1000x1000mm]

Inferno [20171030 drawing, 1000x1000mm]

Sacred Monster Of Our Time [20180301 drawing, 1000x1000mm]

Mystic writing pad 7 [20171212 drawing, 297mm x 297mm] incorporates excerpts of a diary by Trevor Williams; and ‘Transposition in the words of James Baldwin’ by Stephen J. Williams, which is a transposition in words spoken by James Baldwin. This drawing was published in Rabbit Poetry—a journal for non-fiction poetry (RMIT University, April 2018).

Mystic writing pad 1 [drawing, 297mm x 297mm] incorporates ‘Since Jerusalem’ by Stephen J. Williams.

Mystic writing pad 8 [drawing, 297mm x 297mm] incorporates ‘Uncle Stranger’ by Stephen J. Williams (which is a version of a diary kept by Trevor Williams); and a version of another drawing, ‘Detail of Decay’ (a study of an Adolf von Hildebrand statue, by Stephen J. Williams.

Mystic writing pad 5 [drawing, 297mm x 297mm] incorporates [most there is just this] and ‘Sr Pessoa’, both poems by Stephen J. Williams; and Sigmund Freud’s ‘A note upon the Mystic Writing Pad’ (1925). Published in Pink Cover Zine No.3, November 2018.

Mystic writing pad 6 [drawing, 297mm x 297mm] incorporates Sigmund Freud’s ‘A note upon the Mystic Writing Pad’ (1925); ‘Uncle Stranger’ by Stephen J. Williams (which is a version of a diary kept by Trevor Williams); and [There lies Peter Clutterbuck now], a poem by Stephen J. Williams.

Mystic writing pad 3 [drawing, 297mm x 297mm] incorporates ‘Since Jerusalem’ by Stephen J. Williams.

Mystic writing pad 9 [drawing, 297mm x 297mm] incorporates ‘Uncle Stranger’ by Stephen J. Williams (which is a version of a diary kept by Trevor Williams); and ‘Exposed’, a poem by Stephen J. Williams.

Mystic writing pad 4 [drawing, 297mm x 297mm] incorporates ‘Since Jerusalem’ by Stephen J. Williams; and Sigmund Freud’s ‘A note upon the Mystic Writing Pad’ (1925).

Mystic writing pad 2 [drawing, 297mm x 297mm] incorporates ‘Since Jerusalem’ by Stephen J. Williams.

Mystic writing pad 1–5 »» https://goo.gl/7MPD8W

Prints for sale

2 Replies to “Drawings”

Like a.o. “Ce n’est pas un paysage”. Guess the person sitting on the chair is THE GREAT CHAIRMAN.
However: is this artwork not for sale?

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Stephen J. Williams says:

15 December 2017 at 10-17 pm

:), yes, exactly. (Prints can be made of any of the drawings. This ‘non-landscape’ is a little smaller than A4. Enquiries through the contact page. »» https://stephenjwilliams.com/about/contact/ )

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Prints for sale

2 Replies to “Drawings”

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