Ironising the ironisers: Edwards does Britney from behind

Daniel Edwards’ take on the pro-life debate is so outrageously perverse the pro-lifers are beside themselves, not knowing if they should be thankful or horrified. Edwards plants Britney Spears on all fours on a bear skin rug, arse in the air, the head of her baby crowning between her spread legs while her milk-laden breasts hang underneath her. The media release, reproduced below (from Capla Kesting Fine Art), is a finely tuned comedy sketch, from which no-one gets out alive.

Daniel Edward's sculpture of Britney Spears.

The three photographs of the work on the web site are all taken from the side or front. There are no ‘posterior’ shots, so to speak. This leaves some drama for the collectors’ vernissage, I suppose, and saves unsuspecting under-age art lovers from throwing up on their computer screens. This little fit of modesty also serves to emphasise the main beguiling feature of the sculpture: Britney has such a calm, sexy (if you like that kind of thing), knowing expression on her face, not at all the kind of look you would expect to find on a woman pushing a baby through her pelvis. Indeed, as little Sean Preston is about to squeeze out the other end, Britney seems to be concentrating on showing the bear a good time. The bear, actually, appears to be enjoying himself, in the middle of a sort of bear-ecstasy and letting out a little growl.


Dedication honors nude Britney Spears giving birth

Pop-Star’s Pregnancy Idealized In Brooklyn ‘Monument to Pro-Life’

Daniel Edwards
Monument to Pro-Life: The Birth of Sean Preston
Capla Kesting Fine Art […]

BROOKLYN (March 22, 2006)——A nude Britney Spears on a bearskin rug while giving birth to her firstborn marks a ‘first’ for Pro-Life. Pop-star Britney Spears is the “ideal” model for Pro-Life and the subject of a dedication at Capla Kesting Fine Art in Brooklyn’s Williamsburg gallery district, in what is proclaimed the first Pro-Life monument to birth, in April.

Dedication of the life-sized statue celebrates the recent birth of Spears’ baby boy, Sean, and applauds her decision of placing family before career. “A superstar at Britney’s young age having a child is rare in today’s celebrity culture. This dedication honors Britney for the rarity of her choice and bravery of her decision,” said gallery co-director, Lincoln Capla. The dedication includes materials provided by Manhattan Right To Life Committee.

Monument to Pro-Life: The Birth of Sean Preston,” believed Pro-Life’s first monument to the ‘act of giving birth,’ is purportedly an idealized depiction of Britney in delivery. Natural aspects of Spears’ pregnancy, like lactiferous breasts and protruding naval, compliment a posterior view that depicts widened hips for birthing and reveals the crowning of baby Sean’s head.

The monument also acknowledges the pop-diva’s pin-up past by showing Spears seductively posed on all fours atop a bearskin rug with back arched, pelvis thrust upward, as she clutches the bear’s ears with ‘water-retentive’ hands.

Britney provides inspiration for those struggling with the ‘right choice’,” said artist Daniel Edwards, recipient of a 2005 Bartlebooth award from London’s The Art Newspaper. “She was number one with Google last year, with good reason—people are inspired by the beauty of a pregnant woman,” said Edwards.

Capla Kesting denies the statue was developed from a rumored bootleg Britney Spears birth video. The artist admits to using references that include the wax figure of a pole-dancing Britney at Las Vegas’ Madame Tussauds and ‘Britney wigs’ characterizing various hairstyles of the pop-princess from a Los Angeles hairstylist. And according to gallery co-director, David Kesting, the artist studied a bearskin rug from Canada “to convey the commemoration of the traditional bearskin rug baby picture.”

An appropriate location for permanent installation of “Monument to Pro-Life” by Mother’s Day is being sought by the gallery.