Do popular songs aim low? According to the French wikipedia, Serge Gainsbourg’s ‘Le Poinçonneur des Lilas’ was a hit in 1959. It is a poem about a ‘ticket puncher’ in Mairie des Lilas (a railway station in Paris) who talks very quickly about punching holes in tickets all day and about someone making a final hole for him, where he won’t have to listen to talk about holes any more.
(The original music video—with English subtitles—is also on YouTube, but the audio track is not clear.) “The main road,” which the persona of the poem says he hopes to leave, is actually, in the French lyric, “la grand’route” or ‘the great highway’—surely a reference to the road we all take to the grave.
The song is a poetic and political act of empathy, and of a kind that has become rare in the sanitised marketplace of popular songs. And it is the poetry that saves it from being only political ideology and lifts it into the realm of art.
Gainsbourg died in 1991, having established himself as one of the world’s most influential popular composers and performers.
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