Tag: poetry

  • Apology

    Today I sat with coffee and newspaper
    through the lunch hour
    trying to catch up with the whole world’s tragedy.
    Over the weekend was the calmest, coldest Sunday
    for lunatics with guns, and there are six dead.
    Monday all the wounded, the heroes, the neighbours,
    the journalists, the dogs and cats,
    have interviewed each other.
    But today I was not living in a real world
    and I must apologise for this.
    For this one hour, when I was not working and distracted,
    with time to think how life is,
    I remembered Figaro and Susanna, Cherubino’s love songs,
    and hummed Mozart, hummed through blood
    and black banners which came off on my hands.
    Last night one fine lover pushed pain aside
    and held me still—the best duet, the friendliest, and quietest.
    So, I’m sorry, today the world
    was not in the least bit tragic, not even a little sad.
    I could not cry for any pain.
    Happiness has hardened me against all sorrow.

    Originally published as part of War poems: for baritone voice, alto sax, cello, vibraphone and piano, performed by Grant Smith. Composer: Andrée Greenwell. An OzOpera production at the Melbourne Opera Centre, 10 and 11 September 1999, and at the Barossa Music Festival on Sunday 3 October 1999.
  • Mr Thinnegen

    Who once was thin
    And then was fat
    And now is Mr Thinnegen,

    Harangued by news-hounds
    At his door,
    Meringued by brats at
    Pleasure grounds,
    Now is asked
    With almost awe,

    “Oh, tell us, sir, your greatest feat,
    This fat to airy thinness beat …
    Was it something cancerous?
    Have devils come to dance with us?
    Or was it just an act of will
    Which disappeared your grocery bill?”

    Though constantly in quite deep thought
    On questions about Is and Ought,
    And often neverendingly distressed
    For creases that are not quite pressed,
    The asking makes him gird his loins
    And wonder how its clauses joined.

    “Oh, well, you see,
    I’m not as big
    As I have been
    Since all things that
    Are very fat
    Are only fat
    When they’re like that.”

    Perverse and strange, but palpable,
    The reason seems quite wonderful,
    And all who were impressed by that
    Seek his views on other facts.

    “Oh, tell us, sir, how has it been
    We all eat strawberries red, not green?”
    Or, “When will those who know have told us
    Who’s to blame and on whose shoulders
    Rests the weight of all the world? And,
    Does he wear his shirt-sleeves curled?”

    Throwing off the answers quickly,
    Growing thin with each more sickly,
    He answers questions everywhen
    And how or where he comes on them.

    He says:
    “I am he who once was fat,
    Who knew the truth of every fact.
    I am he who now is thin,
    Who knows the waste of questioning.
    And I am he who’s at his end
    To end all Ends, where questions
    Have no fat to spend, where bodies
    Made of skin and bone
    Lie silent in the sick folks’ home,
    And all that’s lovely, wise, and true,
    Sips tea and wastes the afternoons.”

  • The things in the sea

    Two things in the sea
    We came to see,
    One, the great No,
    Monumental and black,
    And one, the white Yes,
    Lucid and clear.
    We stood in the mouth,
    The world at our back,
    To hear the things speak.
    Two things in the sea
    We came to hear,
    The drums of the No
    And the hush of the Yes.
    We stood in the ear
    Of the world at the sea
    And whispered our wish
    And wished it would hear.
    Two things in the sea
    We came to taste,
    The salt of the No,
    And its bitterness, Yes.
    We stood in the hand
    Of the world on the beach
    And counted our lives
    In mouthfuls of sand.
    We went there to ask,
    To see for ourselves,
    The puzzle that rises
    In seeing the sea —
    The curtain of sky
    And stage of the sea,
    The speech of the tide,
    The quandary of being.
    Two things in the sea
    We came to see —
    To see the great No,
    To see the white Yes,
    Their drums and their hush,
    Their salt and their sand.
    It did not show
    Or speak; it did not
    Hear, or care to know,
    What wish we had,
    What pain we bear;
    It did not answer
    To our fears, though
    The things in the sea
    Were moving there,
    Beneath the foam
    And grey, they neither
    Let out any word, nor
    Sent us on our way.

    Originally published in Perseverance Poets’ Collection 1991-92, 1992
  • How we sleep

    How do we sleep while our beds are burning?— Midnight Oil

    This particular white-fella, rather podgy,
    over-employed, committed unionist
    and Nikon-owner, gets to a time of life
    (not even thirty) thinking about superannuation
    and which plan is best for safe retirement.

    I cringe through the whole year,
    complain quietly of terrible excess
    in times restraint is hard to bear, and
    manage some murmurings about “the Treaty”
    — but that’s all. So, how do I sleep?

    This far, I must admit, it’s been easy:
    buffered by green suburbs, relative riches
    and silence, I could not fail in ignorance.
    Some excel in it, are proud to destroy,
    build on the ruins, and have no fear to rest with bones.

    I have slept by forgetting.
    Without pills or drugs, dope or whiskey, to sleep
    it is enough simply not to think,
    as though a thought or word
    would make the whole house burn.

  • In my watchmaker’s hands

    Showing my palm to the watchmaker’s tongue
    He licks the time-line right down
    The crease of my present senses and

    The clock stops just there.

    Now, I take or leave god
    Depending on the weather
    And, like most of us,
    Consume astrology in small doses
    To guess at twists of plot in life.
    As for clocks, there’s no mystery,
    They are purely functional:
    We tell them what to mean.

    Like nothing else, these sudden stillnesses of love
    Make me wonder,

    Not what spring keeps the galaxy spinning,

    Rather, how
    In my watchmaker’s hands time dies,
    How my stupid body lives!

  • Idea for a garden

    The beds in this ward are for certain death,
    for diseases even dear relatives fear and hate.
    There are new lovers, though, as well as old,
    who make a plan for paradise in this hell.
              When sun fell on a light sheet covering
    one man’s ribs, where carers look
    for signs of life, small movement, someone
    had the idea for a garden.
                        Friends brought small bushes
    that will be always green, signifying faith, endurance,
    bulbs for sudden happiness, stones and pebbles,
    showing some things never change.
              They gather there to make a prayer
    of simple actions. Some to the God outsiders say
    forsakes them, some to the hope small happiness
    will last, they sing in whispers, put wishes to the edge
    of lips, where a wind takes their words away.
  • Dimitris is not dead

    Another poet wrote, unpacking myths
    And colors for dying days, of meeting him,
    That special feeling, and published
    To confirm undying admiration.

    Last night, though, Dimitris was at dinner,
    Wearing his old, aqua beach trousers,
    Comparing recipes for home-made bread—
    “Two parts wholemeal, one of plain …”

    “The tasteless olives, promising to look at,
    Should be jarred in vinegar, water, a little oil.”
    “And Greek bishops—the word for them
    Is despot—have reigned a thousand, stable years.”

    Who knows if he will live that long, taking his pipe
    Out to the porch, smoking under a quiet April?
    A little thin, perhaps, but as for ‘death’—
    He has thought of it, and then thought better.

    Originally published in Quadrant, December 1989. Dimitris Tsaloumas died in February 2016 on Leros in Greece where he was born.